
It's a masterpiece that shines a revealing light on both family and fiction itself.
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His humor is on full display with A Calling for Charlie Barnes but so are his intelligence and compassion.

In his previous works, Ferris has proved that he's one of the best American authors of comic fiction working today. In one scene, Charlie sneaks away in Jake's rental car, trying to connect with uninterested strangers - it's a perfect portrayal of the man's pain, sadness and desperation. When it comes to business, Charlie can't win for losing, but he's a steadfastly lovable character, and when he's hurting, the reader's heart breaks. Literary experiments without warmth tend to fall flat for most readers, but Ferris' novel is - remarkably, given its flawed subject - full of heart. 'A Calling for Charlie Barnes' wears its metafictional heart on its sleeve, but as smart as it is, Ferris never shows any signs of falling in love with his own cleverness.Ī Calling for Charlie Barnes wears its metafictional heart on its sleeve, but as smart as it is, Ferris never shows any signs of falling in love with his own cleverness. (His nickname, given with a heavy dose of irony, is "Steady Boy.") His siblings don't understand his need to redeem his father, "a fairly standard midcentury model, Updikean in his defects and indulgences," and they're unwilling to give the man a second chance, despite Jake's repeated pleas: "We are here, you idiots, to forgive one another," he says, though not out loud.

Jake tells the story of his father's attempts to reconnect with his children, intercut with the story of his life, a Midwesterner who never could manage to stay in one job - or with one wife - for long. Now he had to go back to being just another everyday schlub paying down debts from a basement office. Charlie is relieved he's getting a second chance at life - kind of: "A deadly cancer like that will put things in perspective and everyone in their place. The would-be reconciliations don't go as planned, particularly when Charlie is forced to admit that (a) the person who diagnosed him was, in fact, himself, after doom-scrolling the Internet, and (b) his diagnosis was not, in fact, correct. Jake hopes to redeem his father if Charlie is a Willy Loman on Lake Michigan, then Jake's book is an "attention must be paid" moment.īook Reviews A Dentist Confronts The Gaping Maw Of Life In 'To Rise Again' The narrator, Jake Barnes (the Hemingway shoutout is intentional), has reason to believe he knows what's going on in Charlie's brain: He's Charlie's son, and his father has asked him to tell his life story in book form, as truthfully as possible. "He was born a nobody and that's how he would die," the narrator writes, trying to inhabit the mind of the man in his 68th year and on his fifth marriage.

He's also, the narrator explains, "a big fat fraud," a half-assed dreamer whose business schemes never come to fruition. The titular character is an investment adviser living in suburban Chicago who manages funds for retirees. There's no shortage of make-believe in A Calling for Charlie Barnes, Ferris' fifth, and best, book. Or as the narrator of Joshua Ferris' dazzling new novel puts it: "Every story we tell ourselves is some version of make-believe." That's not to say that your parents lied when they told you, say, how they met, but time has a way of distorting memories, and fiction replaces fact in our minds seamlessly and subconsciously. Every family is a group of unreliable narrators.
